From May 7-24, 2025, Nadja Verena Marcin presents her video works Ophelia and Zero Gravity in the group exhibition Post Eden at Art Claims Impulse Gallery, Berlin.

The booklet accompanying the exhibition Glitch: Ontological Exhaustions & System Failures at Spazju Kreattiv, curated by Verena Voigt, is now available.

Nadja Verena Marcin will exhibit her work in GLITCH: ONTOLOGICAL EXHAUSTIONS & SYSTEM FAILURES at Spazju Kreattiv, Malta, from Mar 14 – May 4, 2025, alongside artists exploring resistance and disruption through glitch aesthetics.

From Jan 11 – Feb 22, 2025, Nadja Verena Marcin presents her video work HOW TO UNDRESS IN FRONT OF YOUR HUSBAND in the group exhibition Bruch|Stücke II at Art Claims Impulse Gallery, Berlin.

On November 29, 2024, Nadja Verena Marcin will showcase her work in Close to the Edge, a one-night group show at Spor Klübü in Berlin, featuring 189 artists reflecting on the socio-political tensions of the 1980s.

On November 26, 2024, Nadja Verena Marcin showcases her interdisciplinary practice during the Visionado de Portfolios y Conversatorio at the Museo Nacional de Arte in La Paz, Bolivia, as part of the exhibition Retrato de un Hombre y una Mujer.

Nadja Verena Marcin joins the group exhibition Retrato de un Hombre y una Mujer at Sala Taypi Qhatu in La Paz, Bolivia, opening on Oct 30, 2024.

As part of FORT Biennale_01 and the Day of Contemporary Art AMACI on Oct 12, 2024, at 6:00 pm, visitors are invited to engage with the feminist voice bot #SOPHYGRAY in a live performance by Nadja Verena Marcin at Fortress Franzensfeste.

On Oct 10, as part of the FORT Biennale_01, we invite you to attend the workshop #SOPHYGRAY’s Feminist Write-A-Thon, led by Nadja Verena Marcin, from 5-8 pm at the Women’s Museum Meran.

The FORT Biennale 01 invites you to celebrate the release of the biennial book In the Body of Language – Im Körper der Sprache – Nel Corpo del Linguaggio, published by Bruno Books Venice and edited by Ulrike Buck, Margareth Kaserer, and Fortress Franzensfeste.

The inaugural Fort Biennale, In the Body of Language, runs from Jul 6 – Nov 10, 2024, at Fortress Franzensfeste, exploring language’s impact on identity and communication through installations by artists including melanie bonajo, Tracey Emin, Sylvie Fleury, Chiara Fuma, Roni Horn, Nadja Verena Marcin, and Bruce Nauman.

In the interview #SOPHYGRAY: Kollektive Feministische Intelligenz (KFI) und ihre Alter Egos by Verena Voigt, artist Nadja Verena Marcin delves into her project #SOPHYGRAY—a Feminist Voicebot designed to challenge gender stereotypes in AI applications.

In Fionn Adamian’s Berlin Art Link review, Project Space Festival Reveals Berlin’s Changing Art Landscape, Nadja Verena Marcin’s work stands out at the SAP Space in Neukölln, which is highlighted as a premier venue among the festival’s 30 participating spaces.

A Question of Intervals and Scales, part of the Project Space Festival 2024 at SAP Space in Berlin (Jun 03-22, 2024), explores how shifts in scale and perception shape our understanding through the works of Alizée Armet, Janne Höltermann, Sidsel Ladegaard, and Nadja Verena Marcin.

aquabitArt Galerie and SALOON Berlin present PAR(I)TY WITH US—the 10 million euro exhibition from Apr 24 – May 4, 2024, during Gallery Weekend Berlin, featuring works by 21 international female artists challenging gender disparity and reimagining equality in the art world.

Nadja Verena Marcin joins the group exhibition Retrato de un Hombre y una Mujer at Museo de Arte Contemporáneo, Santa Cruz, Bolivia, from Apr 18 – May 19, 2024.

The exhibition In Touch: How to Connect in the Age of Digital Humanity? at IMPAKT Centre for Media Culture explores how digital technologies shape our connections in our interconnected world from Mar 22 – Jun 16, 2024.

The 5th Every Woman Biennial, themed I WILL ALWAYS LOVE YOU, showcases 200 female and non-binary artists at NYC’s La MaMa Galleria (Mar 2-24, 2024), celebrating diverse voices through art, performance, and personal keepsakes.

Join Nadja Verena Marcin at SVA’s panel The Algorithmic State: Adversarial Aesthetics on Feb 29, 2024, for insights on art, feminism, and technology, alongside contributions from Joanna Zylinska and Rosemary Lee.

In Intersectional Fembots: An Interview with Nadja Verena Marcin, Ilyn Wong explores Marcin’s project #SOPHYGRAY – A Feminist Voice Bot, where Marcin reimagines the iconic Metropolis robot to examine AI’s role in identity, feminism, and a more equitable future.

On Feb 3, 2024, Nadja Verena Marcin presents her live performance #SOPHYGRAY – A Feminist Voice Bot at alpha nova & galerie futura as part of Vorspiel of transmediale & CTM festival.

On Jan 27, 2024, Nadja Verena Marcin hosts #SOPHYGRAY’s Feminist-Write-A-Thon, a workshop where participants can contribute their own feminist insights to the audio bot’s growing knowledge base.

In this IMPETUS interview, Nadja Verena Marcin discusses #SOPHYGRAY and her mission to challenge gender biases in technology through art.

The exhibition #SOPHYGRAY – A Feminist Voice Bot, from Oct 27, 2023 -Jan 12, 2024, at alpha nova & galerie futura in Berlin as part of Vorspiel at transmediale, showcases Nadja Verena Marcin’s chatbot project that challenges gender stereotypes in technology.

You Know What You Know is a two-site exhibition featuring five women artists, including Nadja Verena Marcin, on view in Jan 2024 at Space776 and KUNSTRAUM, exploring embodied knowledge through immersive, interactive works.

In this Hyperallergic article by Ariana Dongus, Nadja Verena Marcin’s #SOPHYGRAY chatbot confronts AI’s role in reinforcing social biases, sparking discussions on ethical, intersectional technology.

You Know What You Know is a two-site exhibition featuring five women artists, including Nadja Verena Marcin, on view in Jan 2024 at Space776 and KUNSTRAUM, exploring embodied knowledge through immersive, interactive works.

The ZERO TOLERANCE exhibition on Nov 24, 2023, at Spor Klübü features Ulu Braun, Sabine Linse, Nadja Verena Marcin, and many others, examining zero tolerance as a stance against right-wing extremism.

Released in Nov 2024 and curated by Verena Voigt M.A., GlitchPhenomena.3.0. features Nadja Verena Marcin and other artists exploring glitches in art and AI to reveal hidden digital biases and structures.

In this Winter Semester 2023/24 seminar, guest lecturer Nadja Verena Marcin, joined by Ariana Dongus, explores the intersection of digital technologies, body politics, and power relations, guiding students through a critical examination of technology’s role in shaping society.

Nadja Verena Marcin’s #SOPHYGRAY, a feminist voice bot awarded an Honorary Mention, is featured in the 2023 Ars Electronica festival Who Owns the Truth?, emphasizing the role of citizen-driven science in exploring technology and social issues.

The European Media Art Platform (EMAP) recently highlighted Nadja Verena Marcin’s award-winning project #SOPHYGRAY, a feminist chatbot using interactive dialogue to explore gender biases in AI and celebrated for its fusion of art and citizen science.

The Onassis Foundation reports on Nadja Verena Marcin’s #SOPHYGRAY, presented at the 20th WRO Media Art Biennale 2023 and awarded an Honorary Mention at the European Union Prize for Citizen Science to be exhibited at Ars Electronica 2023.

Nadja Verena Marcin’s project #SOPHYGRAY receives an Honorable Mention from the European Union Prize for Citizen Science, awarded by Ars Electronica for its innovative use of interactive feminist dialogue to challenge gender biases in AI.

On May 17, 2023, the University of Potsdam’s Digitalvilla will host a writing workshop exploring chatbot programming and the integration of feminist literature, including Legacy Russell’s Glitch Feminism (2020), into #SOPHYGRAY’s framework.

Nadja Verena Marcin presents #SOPHYGRAY at the WRO 2023 Media Art Biennale in Wrocław, alongside artists such as Józef Robakowski, Norman Leto, Rosa Menkman, The SINE WAVE ORCHESTRA, and Total Refusal, and others, running from May 10-27, 2023.

On Apr 24, 2023, at the University of Potsdam’s Digitalvilla, Nadja Verena Marcin will deliver a keynote lecture on her feminist chatbot project #SOPHYGRAY, exploring its artistic concept, role in feminist deconstruction, critique of AI, and glitch aesthetics in the context of technology’s impact on social issues.

The Tagesspiegel Potsdam highlights Nadja Verena Marcin’s #SOPHYGRAY at the Glitch Phenomena 3.0 exhibition in Potsdam, where her feminist chatbot challenges gender biases in technology.

On Feb 1, 2023, at 7 PM, Nadja Verena Marcin presents the #SOPHYGRAY Installation & Performance at the Upper Stage of Onassis Cultural Center in Athens, challenging AI’s gender biases through feminist dialogue and live embodied performance.

On Feb 1, 2023, at 7 PM, Nadja Verena Marcin launches #SOPHYGRAY, a feminist audio bot app in the iOS and Google Play Stores, marking the culmination of her EMAP residency at Onassis Stegi.

The State of Interim Symposium explored diverse perspectives on AI and its societal implications, featuring a contribution by Nadja Verena Marcin and Ariana Dongus on the biases inherent in AI construction.

Nadja Verena Marcin is awarded the NEUSTARTplus-Stipendium by Stiftung Kunstfonds, supporting her artistic work from Jan 1 – Jun 30, 2023.

Join Nadja Verena Marcin’s online workshop #SOPHYGRAY – A Feminist Audio Bot on Dec 11, 2022, hosted by KUNSTRAUM LLC, to help create feminist-inspired entries for her AI project.

Selected by Onassis Stegi for a 2022 EMAP residency, Nadja Verena Marcin is developing #SOPHYGRAY, a feminist audio bot that challenges gender biases in AI, with EMAP group exhibitions planned over the next years.

Nadja Verena Marcin gives an artist talk about her work #SOPHYGRAY as part of the Room to Bloom program of the Warszawa Biennale on 16 Jul 2022, joining a day of artist talks on feminist and postcolonial perspectives in art.

At the 2022 EMAP Networking Conference in Zagreb, from June 17-19, Nadja Verena Marcin joins a lineup of innovative media artists exploring cutting-edge themes like AI, bio art, and digital culture.

From May 27–29, 2022, Nadja Verena Marcin will join the State of Interim symposium, presenting her feminist audio bot project, #SOPHYGRAY, alongside artists like Emily Besa and Sarah Rothberg, as part of a multidisciplinary exploration of AI, art, and human experience.

Nadja Verena Marcin will lead a masterclass at the 2022 FIDS – Festival Internacional Denise Stoklos de Solo Performance, sharing insights into her creative process and showcasing works like Ophelia, Pocahontas (excerpt), Zero Gravity, and The Great Dictator.

From May to Oct 2022, Nadja Verena Marcin received the NEUSTART KULTUR Modul C scholarship, supporting the development of her innovative feminist projects #SOPHYGRAY and Pocahontas Returns.

On Apr 10, 2022, Nadja Verena Marcin participates in the Room to Bloom Studio Visits in Berlin, presenting her ecofeminist project #SOPHYGRAY and engaging in dialogue with fellow artists.

Nadja Verena Marcin participates in the group exhibition I know why the caged bird sings at WARP, Belgium, exploring themes of freedom and confinement through her artwork.

On Apr 5, 2022, Binary Dreams magazine published an interview with Nadja Verena Marcin, conducted by Eliane Eisenring, exploring her project #SOPHYGRAY – A Feminist Voice Bot, its integration of feminist literature and philosophy into digital spaces, and the potential of audio bots to challenge traditional narratives around identity and gender.

From Jan 29 – Mar 19, 2022, Nadja Verena Marcin presents her video artwork //KIDS// at The Ulterior Narrative Cinema exhibition curated by Alex McQuilkin at CINEMA TICK TACK in Antwerp.

In January 2022, Nadja Verena Marcin received a prestigious $10,000 NYSCA grant to support her project #SOPHYGRAY.

On Dec 15, 2021, Nadja Verena Marcin discussed her works OPHELIA and Pocahontas Returns and her artistic journey in an Art Frankly interview.

From Nov 21, 2021 – Feb 13, 2022, Nadja Verena Marcin’s solo exhibition #SOPHYGRAY is on view at Kunstverein Ruhr in Essen, exploring AI and feminism with live interactions and a special performance on Jan 15, 2022.

Nadja Verena Marcin received the NEUSTART KULTUR Modul A grant, which she used to redesign her website and expand her digital presence.

Nadja Verena Marcin’s video artwork The Great Dictator is showcased at the Bath House of the Winds during the 17th Athens Digital Arts Festival, Tāctus, from Oct 13-17, 2021.

Nadja Verena Marcin receives the NEUSTART KULTUR Modul C grant to support her groundbreaking project #SOPHYGRAY, exploring feminist and technological themes in contemporary art.

Nadja Verena Marcin’s The Great Dictator is featured in this years Primarolia Festival: Networks, in collaboration with ADAF, alongside works by Maria Varela and Myrto Xanthopoulou.

Nadja Verena Marcin’s The Great Dictator is showcased at the 17th Athens Digital Arts Festival, alongside works by Kevin Siwoff, Axel Bonnot, and Lilian Robl.

Nadja Verena Marcin is featured on Room to Bloom’s new online platform, contributing to the promotion of ecofeminist and postcolonial art practices.

Nadja Verena Marcin’s work is featured in the inaugural London edition of the Every Woman Biennial at Copeland Gallery, Jul 2-9, 2021, celebrating diverse works by over 200 female and non-binary artists.

On Jun 29, 2021, Nadja Verena Marcin presents her project #SOPHYGRAY at the Ecofeminist Workshop in Athens as part of the Room to Bloom initiative, exploring the intersection of art, ecology, and activism.

Nadja Verena Marcin joins the Room to Bloom – Ecofeminist Workshop at Avtonomi Akadimia in Athens, Jun 25 – Jul 1, 2021, sharing insights into her project #SOPHYGRAY alongside international artists and curators.

Nadja Verena Marcin joins the inaugural NFT edition of the Every Woman Biennial, Jun 24 – Jul 3, 2021, showcasing digital artworks by 272 women and non-binary artists in collaboration with Superchief Gallery NFT.

Nadja Verena Marcin presents a masterclass on her creative process at the Cabíria Festival – Mulheres e Audiovisual, showcasing her acclaimed works and celebrating women and gender-diverse creators in cinema.

Nadja Verena Marcin’s work is featured in the ecofeminist exhibition Even the Rocks Reach Out to Kiss You at Transpalette, Bourges, from Oct 9, 2020 – May 30, 2021.

Nadja Verena Marcin’s video artwork OPHELIA was selected as a finalist for the 2020 Contemporary Talents competition by the Fondation François Schneider.

Nadja Verena Marcin participates in the Down to Earth exhibition at Gropius Bau, Berlin, from Aug 13 – Sep 13, 2020, delivering a Deep Artist Talk on Aug 23.

Nadja Verena Marcin’s work is featured in the Femme Fatale exhibition at NADA FAIR 2020, exploring gender and power alongside artists like Carla Gannis and Karina Aguilera Skvirsky.

In Apr and May 2020, Nadja Verena Marcin presents a solo show on UN/CUBE, an innovative online platform fostering solidarity among womxn artists during the pandemic.

Nadja Verena Marcin’s video work OPHELIA is featured in the group exhibition Come on in, the water’s fine during Art Basel Miami 2019 at the Surf Lodge Pop-Up, Dec 4–7, 2019.

From Sep 27, 2019 – Feb 16, 2020, Nadja Verena Marcin’s solo exhibition OPHELIA at Stadtgalerie Saarbrücken features a live performance and video installation exploring themes of perception and environmental destruction.

The exhibition video of Nadja Verena Marcin’s solo show OPHELIA at Stadtgalerie Saarbrücken, exploring identity and ecological themes, is now available on Vimeo.

On Sep 25, 2019, Nadja Verena Marcin’s monograph OPHELIA is released by Sandstein Verlag, offering a deep dive into her globally renowned media art project and its exploration of gender, politics, and the environment.

Nadja Verena Marcin’s solo exhibition The Great Dictator at zqm Berlin reinterprets Chaplin’s iconic speech to critique modern power structures.

From May 19–29, 2019, the Every Woman Biennial 2019 at La MaMa Galleria in New York City will showcase the work of Nadja Verena Marcin amidst a vibrant interdisciplinary celebration of female and non-binary artists.

From Apr 5 –14, 2019, Nadja Verena Marcin presents her video installation OPHELIA in Staring at the Sun, part of the EcoFutures Festival in London.

From April 5–14, 2019, Nadja Verena Marcin presents her video work OPHELIA in Staring at the Sun, part of the EcoFutures Festival in London.

Nadja Verena Marcin is featured in Kathy Battista’s book New York: New Wave, celebrating a new generation of feminist artists transforming contemporary art.

From Mar 15 – Apr 5, 2019, Nadja Verena Marcin showcases her work in Looking for Dick at SCHAU FENSTER in Berlin, exploring masculinity and identity.

From Feb 10 – Jun 30, 2019, Nadja Verena Marcin’s solo exhibition OPHELIA at SCHAUWERK Sindelfingen features performances and video works addressing societal and ecological themes.

On Feb 14, 2019, SWR airs a feature on Nadja Verena Marcin’s OPHELIA at SCHAUWERK Sindelfingen, part of its global tour, including an interview with the artist.

Nadja Verena Marcin receives a $25,000 NYSCA grant for her feature film Pocahontas Returns, exploring post-colonial and feminist themes.

On Oct 17, 2018, Nadja Verena Marcin discusses her global tour with Ophelia in an ARTinWORDS interview, exploring feminist and ecological themes.

Nadja Verena Marcin presents her poster series Cover Girls at Art in Odd Places (AiOP) 2018: BODY in New York, exploring identity and representation through urban performance.

Nadja Verena Marcin’s solo exhibition OPHELIA’S DOMAIN at Nube Gallery in Santa Cruz, Bolivia, from Sep 27 – Nov 2, 2018, reimagines Ophelia through a three-channel video installation, addressing environmental and feminist themes as part of its world tour.

From Sep 17 – Oct 12, 2018, Nadja Verena Marcin’s video projection OPHELIA is featured at the Creative Climate Awards in New York City, alongside works by 36 international artists addressing climate change.

Nadja Verena Marcin receives a grant from the City of Cologne to support her performance art, including the European premiere of OPHELIA at Moltkerei Werkstatt e.V.

In an Sep 2018 interview with barton mag, Nadja Verena Marcin discusses her performance OPHELIA, exploring environmental and feminist themes.

In Jun 2018, WomenCinemakers featured Nadja Verena Marcin’s How to Undress in Front of Your Husband alongside works by Katya Grokhovsky and others.

On May 24, 2018, Nadja Verena Marcin discusses her NYFA-sponsored project OPHELIA in an interview with Priscilla Son, exploring themes of gender inequality and climate change.

Nadja Verena Marcin receives a grant from the City of Cologne to support her performance art, including the European premiere of OPHELIA at Moltkerei Werkstatt e.V.

The San Francisco Chronicle highlights Nadja Verena Marcin’s performance OPHELIA being showcased at the Minnesota Street Project, accompanied by a panel discussion on power and oppression.