Video Interviews
EMAP, 2023
Kunstverein Ruhr, 2022
Kaeur studio & HFBK, 2022
Stadtgalerie Saarbrücken, 2020
A video documentation of the OPHELIA exhibition at Stadtgalerie Saarbrücken – a solo exhibition by Nadja Verena Marcin.
Südwestdeutscher Rundfunk, 2019
Feature about the Solo Exhibition OPHELI Art SCHAUWERK Sindelfingen in the TV Show KUNSCHT on SWR “Kunst im Aquarium”
Articles
Times of Malta, 2025
In the Times of Malta of March 13, 2025, the article Exhibition reflects on today’s technology-dependent society reports on the exhibition Glitch: Ontological Exhaustion & System Failures at Spazju Kreattiv. Curated by Verena Voigt, the show with works by Nadja Verena Marcin and others reflects on digital dependency, memory culture and resistance.
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Corriere dell’Alto Adige, 2024
Silvia M.C. Senette reviews Nadja Verena Marcin’s artwork #SOPHYGRAY in the October 9, 2024 issue of the Italian newspaper Corriere dell’Alto Adige in her article “The Feminist Virtual Assistant”, stating: “#SOPHYGRAY! – Nadja Verena Marcin’s Work Challenges Mainstream Masculinist Language.
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art-in-berlin, 2024
In the interview #SOPHYGRAY: Kollektive Feministische Intelligenz (KFI) und ihre Alter Egos by Verena Voigt, artist Nadja Verena Marcin delves into her project #SOPHYGRAY—a Feminist Voicebot designed to challenge gender stereotypes in AI applications.
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Berlin Art Link, 2024
In Fionn Adamian’s Berlin Art Link review, Project Space Festival Reveals Berlin’s Changing Art Landscape, Nadja Verena Marcin’s work stands out at the SAP Space in Neukölln, which is highlighted as a premier venue among the festival’s 30 participating spaces.
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Berlin Art Link, 2024
A Question of Intervals and Scales, part of the Project Space Festival 2024 at SAP Space in Berlin (03 — 22 June 2024), explores how shifts in scale and perception shape our understanding through the works of Alizée Armet, Janne Höltermann, Sidsel Ladegaard, and Nadja Verena Marcin.
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IMPETUS, 2024
In this IMPETUS interview, Nadja Verena Marcin discusses #SOPHYGRAY and her mission to challenge gender biases in technology through art.
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Hyperallergic, 2024
In this Hyperallergic article by Ariana Dongus, Nadja Verena Marcin’s #SOPHYGRAY chatbot confronts AI’s role in reinforcing social biases, sparking discussions on ethical, intersectional technology.
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Tagespiegel, 2023
Lena Schneider, “Kunst gewordene Verweigerung: Glitch Art am Griebnitzsee.”, Tagesspiegel, 2023
The Tagesspiegel Potsdam highlights Nadja Verena Marcin’s #SOPHYGRAY at the Glitch Phenomena 3.0 exhibition in Potsdam, where her feminist chatbot challenges gender biases in technology.
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The Tagesspiegel Potsdam highlights Nadja Verena Marcin’s #SOPHYGRAY at the Glitch Phenomena 3.0 exhibition in Potsdam, where her feminist chatbot challenges gender biases in technology.
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Binary Dreams Magazine, 2022
On April 5, 2022, Binary Dreams magazine published an interview with Nadja Verena Marcin, conducted by Eliane Eisenring, exploring her project #SOPHYGRAY – A Feminist Voice Bot, its integration of feminist literature and philosophy into digital spaces, and the potential of audio bots to challenge traditional narratives around identity and gender.
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Südwestrundfunk, 2019
On February 14, 2019, SWR airs a feature on Nadja Verena Marcin’s OPHELIA at SCHAUWERK Sindelfingen, part of its global tour, including an interview with the artist.
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WomenCinemakers, 2018
In June 2018, WomenCinemakers featured Nadja Verena Marcin’s How to Undress in Front of Your Husband alongside works by Katya Grokhovsky and others.
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ARTinWORDS, 2018
On October 17, 2018, Nadja Verena Marcin discusses her global tour with Ophelia in an ARTinWORDS interview, exploring feminist and ecological themes.
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barton, 2018
In an September 2018 interview with barton mag, Nadja Verena Marcin discusses her performance OPHELIA, exploring environmental and feminist themes.
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NYFA, 2018
In May 2018, Nadja Verena Marcin discusses her NYFA-sponsored project OPHELIA in an interview with Priscilla Son, exploring themes of gender inequality and climate change.
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CULTURED, 2018
Anna Volpicelli, “Nadja Verena Marcin’s Ophelia goes on a World Tour”, New York Cultured Magazine, 2018
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San Francisco Chronicle, 2018
Charles Desmarais, “Ophelia returns after 400 years with new message”, San Francisco: San Francisco Chronicle, auch erschienen in SF Gate, Murack.com, USA Breaking News, 2018
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artnet, 2017
Sarah Cascone, “Everything You need to Know about all 23 Artfairs at Art Basel Miami Beach”, New York: Art Net, 2017
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Hyperallergic, 2017
Monica Uszerowicz, “Your Concise Guide to Art Basel Miami 2017”, New York: Hyperallergic, 2017
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HuffingtonPost, 2017
Priscilla Frank, “Feminist Artist’s How To Undress In Front Of Your Husband Skewers Retro Mansplaining”, New York: HuffingtonPost, 2017
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Hyperallergic, 2017
Jillian Steinhauer, “The Greatest Biennial of All”, New York: Hyperallergic, 2017
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Vice, 2016
Andrew Nunes, “A Sexist 1960s Film Remake Rewrites Cinema”, New York: VICE Creator’s Project, 2016
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