Spor Klübü’s annual One Night Show, themed “Europe Without End,” brings together various artists. Among them, Nadja Verena Marcin presents Man (2007), a C-print depicting an almost naked, grey-painted woman in close interaction with Ernst Wenck’s 1912 sculpture Money Counter, subtly reversing power dynamics and reflecting shifting roles in contemporary society.

“A Reprieve” at KUNSTRAUM brings together six international artists, including Nadja Verena Marcin whose “Homeland” series transforms public urban spaces into fleeting sanctuaries, inviting viewers to experience stillness, reflection, and the possibility of home in everyday life.

“OPHELIA” is featured in Leon Skottnik’s new book “Eigengrau”, where performance, perception, and language converge in a meditation on transformation, visibility, and the spaces between body and imagination.

“Zero Gravity” will be on view in “Loose Ground” at SAP Space at El Hub MX as part of the B-LA-M Festival in Mexico City, an exhibition exploring moments when perception slips, stability falters, and what anchors us begins to move.

“#SOPHYGRAY” joins leading scientists and artists this week at IVA 2025 in Berlin, exploring how virtual agents blend technology, culture, and human interaction.

“#SOPHYGRAY” will be featured in the 2025 Athens Digital Arts Festival (ADAF) with this year’s theme “Simulacra” exploring the blurred boundaries between reality and simulation.

Nadja Verena Marcin’s video works “OPHELIA” and “Zero Gravity” are featured in Post Eden at Art Claims Impulse, Berlin—a group exhibition of contemporary video art exploring identity, power, and alternative futures in a post-utopian world.

The booklet for “Glitch: Ontological Exhaustions & System Failures”, curated by Verena Voigt at Spazju Kreattiv, is now available and features Nadja Verena Marcin’s “Zero Gravity”.

The group exhibition “Glitch: Ontological Exhaustions & System Failures” at Spazju Kreattiv, curated by Verena Voigt, explores glitches as acts of resistance and systemic critique in today’s digital age and features Nadja Verena Marcin’s “Zero Gravity”.

In “Bruch|Stücke II” at Art Claims Impulse in Berlin, Nadja Verena Marcin’s video “How to Undress in Front of Your Husband” is shown alongside works by Anna Anders, Wolfgang Spahn, and others, exploring past political and social tensions through a contemporary lens.

“Close To The Edge” is a one-night group exhibition at Spor Klübü in Kolonie Wedding, featuring Nadja Verena Marcin alongside Julia Kissina, Janne Höltermann, Römer + Römer, and Karø Goldt—offering a dense, thought-provoking reflection on past and present political tensions through the lens of contemporary art.

Nadja Verena Marcin presents her portfolio and joins critical discussions via Zoom during “Visionado de Portfolios y Conversatorio” at La Paz’s Museo Nacional de Arte, highlighting her ecofeminist practice within a cross-cultural artistic dialogue.

“Retrato de un Hombre y una Mujer” at Museo Nacional de Arte in La Paz showcases 14 international artists—including Nadja Verena Marcin—who explore gender and identity through textile art.

As part of FORT Biennale_01 and the Day of Contemporary Art AMACI on Oct 12, 2024, at 6:00 pm, visitors are invited to engage with the feminist voice bot “#SOPHYGRAY” in a live performance by Nadja Verena Marcin at Fortress Franzensfeste.

On Oct 10, as part of the FORT Biennale_01, we invite you to attend the workshop “#SOPHYGRAY’s Feminist Write-A-Thon”, led by Nadja Verena Marcin, from 5-8 pm at the Women’s Museum Meran.

The FORT Biennale 01 invites you to celebrate the release of the biennial book “In the Body of Language – Im Körper der Sprache – Nel Corpo del Linguaggio,” published by Bruno Books Venice and edited by Ulrike Buck, Margareth Kaserer, and Fortress Franzensfeste.

The inaugural Fort Biennale_01, “In the Body of Language”, runs from Jul 6–Nov 10, 2024, at Fortress Franzensfeste, exploring language’s impact on identity and communication through installations by artists including melanie bonajo, Tracey Emin, Sylvie Fleury, Chiara Fuma, Roni Horn, Nadja Verena Marcin, and Bruce Nauman, amongst others.

In the interview “#SOPHYGRAY: Kollektive Feministische Intelligenz (KFI) und ihre Alter Egos” by Verena Voigt, artist Nadja Verena Marcin delves into her project “#SOPHYGRAY” designed to challenge gender stereotypes in AI applications.

In Fionn Adamian’s review “Project Space Festival Reveals Berlin’s Changing Art Landscape,” Nadja Verena Marcin’s work stands out at the SAP Space in Neukölln – highlighted as a premier venue among the festival’s 30 participating spaces.

“A Question of Intervals and Scales”, part of the Project Space Festival 2024 at SAP Space, explores how shifts in scale and perception shape our understanding through the works of Alizée Armet, Janne Höltermann, Sidsel Ladegaard, and Nadja Verena Marcin.

aquabitArt Galerie and SALOON Berlin present “PAR(I)TY WITH US—the 10 million euro exhibition” during Gallery Weekend Berlin, featuring works by 21 international female artists challenging gender disparity and reimagining equality in the art world.

Nadja Verena Marcin joins the group exhibition “Retrato de un Hombre y una Mujer” at Museo de Arte Contemporáneo in Santa Cruz in Bolivia.

The exhibition “In Touch: How to Connect in the Age of Digital Humanity?” at IMPAKT Centre for Media Culture explores how digital technologies shape our connections in our interconnected world.

The 5th Every Woman Biennial, themed “I WILL ALWAYS LOVE YOU”, showcases 200 female and non-binary artists at NYC’s La MaMa Galleria, celebrating diverse voices through art, performance, and personal keepsakes.

Join Nadja Verena Marcin at SVA’s panel “The Algorithmic State: Adversarial Aesthetics” on Feb 29, 2024, for insights on art, feminism, and technology, alongside contributions from Joanna Zylinska and Rosemary Lee.

In Intersectional Fembots: An Interview with Nadja Verena Marcin, Ilyn Wong explores Marcin’s project #SOPHYGRAY – A Feminist Voice Bot, where Marcin reimagines the iconic Metropolis robot to examine AI’s role in identity, feminism, and a more equitable future.

Nadja Verena Marcin presents her live performance “#SOPHYGRAY – A Feminist Voice Bot” at alpha nova & galerie futura as part of Vorspiel of transmediale & CTM festival.

As part of Vorspiel at transmediale, Nadja Verena Marcin hosts “#SOPHYGRAY’s Feminist Write-A-Thon”—an interactive workshop inviting participants to contribute their own feminist insights to the expanding knowledge base of the audio bot.

In this IMPETUS interview, Nadja Verena Marcin discusses “#SOPHYGRAY” and her mission to challenge gender biases in technology through art.

The exhibition “#SOPHYGRAY – A Feminist Voice Bot” at alpha nova & galerie futura, presented as part of Vorspiel at transmediale, features Nadja Verena Marcin’s chatbot project, which critically engages with and challenges gender stereotypes in technology.

“You Know What You Know” is a two-site exhibition featuring five women artists, including Nadja Verena Marcin, on view in Jan 2024 at Space776 and KUNSTRAUM, exploring embodied knowledge through immersive, interactive works.

In “Can We Create an Intersectional AI?” Ariana Dongus explores Nadja Verena Marcin’s #SOPHYGRAY chatbot, which challenges the ways AI can reinforce social biases and sparks dialogue around ethical, intersectional approaches to technology.

“You Know What You Know” is a two-site exhibition featuring five women artists, including Nadja Verena Marcin, on view in Jan 2024 at Space776 and KUNSTRAUM, exploring embodied knowledge through immersive, interactive works.

The exhibition “ZERO TOLERANCE” at Spor Klübü features Ulu Braun, Sabine Linse, Nadja Verena Marcin, and many others, examining zero tolerance as a stance against right-wing extremism.

Released in Nov 2024, “GLITCH PHENOMENA 3.0” brings together artists and thinkers to explore how digital glitches can reveal hidden biases and reshape our understanding of technology and society.

In the Winter Semester 2023/24, guest lecturer Nadja Verena Marcin—together with Ariana Dongus—leads a seminar examining the intersection of digital technologies, body politics, and power structures, guiding students in critically exploring how technology shapes and reflects societal dynamics.

Nadja Verena Marcin’s feminist voice bot “#SOPHYGRAY” receives an Honorary Mention at Ars Electronica 2023 and is featured in the Citizen Science exhibition in Linz, Austria.

The European Media Art Platform (EMAP) highlights Nadja Verena Marcin’s award-winning project “#SOPHYGRAY”, a feminist chatbot using interactive dialogue to explore gender biases in AI.

The Onassis Foundation reports on Nadja Verena Marcin’s “#SOPHYGRAY”, presented at the 20th WRO Media Art Biennale 2023 and awarded an Honorary Mention at the European Union Prize for Citizen Science by Ars Electronica.

Nadja Verena Marcin’s project “#SOPHYGRAY” receives an Honorable Mention from the European Union Prize for Citizen Science, awarded by Ars Electronica for its innovative use of interactive feminist dialogue to challenge gender biases in AI.

On May 17, 2023, Nadja Verena Marcin leads a digital writing workshop at the University of Potsdam’s Digitalvilla, where participants explore feminist chatbot programming with “#SOPHYGRAY” and engage with Legacy Russell’s “Glitch Feminism” to examine the intersection of the coded body and digital culture.

Nadja Verena Marcin presents “#SOPHYGRAY” at the WRO 2023 Biennale in Wrocław, alongside artists such as Józef Robakowski, Norman Leto, Rosa Menkman, The SINE WAVE ORCHESTRA, and Total Refusal, and others.

At the University of Potsdam’s Digitalvilla, Nadja Verena Marcin delivers a keynote lecture on her feminist chatbot project “#SOPHYGRAY”, exploring its artistic concept, role in feminist deconstruction, critique of AI, and glitch aesthetics.

The Tagesspiegel Potsdam highlights Nadja Verena Marcin’s “#SOPHYGRAY” at the “Glitch Phenomena 3.0” exhibition in Potsdam, where her feminist chatbot challenges gender biases in technology.

On Feb 1, 2023, at 7 PM, Nadja Verena Marcin presents the “#SOPHYGRAY Installation & Performance” at the Upper Stage of Onassis Cultural Center in Athens, challenging AI’s gender biases through feminist dialogue and live embodied performance.

On Feb 1, 2023, at 7 PM, Nadja Verena Marcin launches “#SOPHYGRAY,” a feminist audio bot app in the iOS and Google Play Stores, marking the culmination of her EMAP residency at Onassis Stegi.

The State of Interim Symposium explored diverse perspectives on AI and its societal implications, featuring a contribution by Nadja Verena Marcin and Ariana Dongus on “#SOPHYGRAY.”

Nadja Verena Marcin is awarded the NEUSTARTplus-Stipendium by Stiftung Kunstfonds, supporting her artistic work from Jan 1–Jun 30, 2023.

Join Nadja Verena Marcin’s online workshop “#SOPHYGRAY – A Feminist Audio Bot” on Dec 11, 2022, hosted by KUNSTRAUM, to help create feminist-inspired entries for her AI project.

Nadja Verena Marcin is the 2022 Artist-in-Residence for EMAP at Onassis Stegi, where she is developing “#SOPHYGRAY”, a feminist audio bot—and future mobile app—that reimagines the gendered dynamics of virtual assistants through critical dialogue and radical thought.

Nadja Verena Marcin gives an artist talk about her work “#SOPHYGRAY” as part of the Room to Bloom program of the Warszawa Biennale on 16 Jul 2022, joining a day of artist talks on feminist and postcolonial perspectives in art.

At the 2022 EMAP Networking Conference in Zagreb, from June 17–19, Nadja Verena Marcin joins a lineup of innovative media artists exploring cutting-edge themes like AI, bio art, and digital culture.

From May 27–29, 2022, Nadja Verena Marcin will join the State of Interim symposium, presenting her feminist audio bot project, “#SOPHYGRAY”, alongside artists like Emily Besa and Sarah Rothberg, as part of a multidisciplinary exploration of AI, art, and human experience.

Nadja Verena Marcin will lead a masterclass at the 2022 FIDS – Festival Internacional Denise Stoklos de Solo Performance, sharing insights into her creative process and showcasing works such as Ophelia, “Pocahontas Returns” (excerpt), “Zero Gravity,” and “The Great Dictator.”

From May to Oct 2022, Nadja Verena Marcin received the NEUSTART KULTUR Modul C scholarship, supporting the development of her innovative feminist projects “#SOPHYGRAY.”

On Apr 10, 2022, Nadja Verena Marcin participates in the Room to Bloom Studio Visits in Berlin, presenting her ecofeminist project “#SOPHYGRAY” and engaging in dialogue with fellow artists.

“I Know Why the Caged Bird Sings” is on view at WARP in Sint-Niklaas, featuring works by Roni Horn, Gaëlle Leenhardt, Nadja Verena Marcin, and others that explore themes of freedom, confinement, and creativity through the metaphor of birds and flight.

Accenture’s Binary Dreams features Nadja Verena Marcin in an interview on her feminist voice bot project, “#SOPHYGRAY,” and the role of AI in rethinking gender and identity.

At “The Ulterior Narrative Cinema”, curated by Alex McQuilkin at CINEMA TICK TACK in Antwerp, Nadja Verena Marcin presents her video artwork “//KIDS//”.

Nadja Verena Marcin received a prestigious $10,000 NYSCA grant to support her project “#SOPHYGRAY.”

In an Art Frankly interview, Nadja Verena Marcin reflects on her works “OPHELIA” and “Pocahontas Returns” and shares insights into her artistic journey.

The solo exhibition “#SOPHYGRAY” is on view at Kunstverein Ruhr in Essen, exploring AI and feminism through visitor interactions and a special performance on January 15, 2022.

Nadja Verena Marcin received the NEUSTART KULTUR Modul A grant to redesign her website.

The work “The Great Dictator” is presented at the Bath House of the Winds, Museum of Modern Greek Culture, as part of the 17th Athens Digital Arts Festival, Tāctus.

Nadja Verena Marcin receives the NEUSTART KULTUR Modul C grant to support her groundbreaking project #SOPHYGRAY, exploring feminist and technological themes in contemporary art.

“The Great Dictator” is featured in this years Primarolia Festival: Networks, in collaboration with ADAF, alongside works by Maria Varela and Myrto Xanthopoulou.

“The Great Dictator” is showcased at the 17th Athens Digital Arts Festival, alongside works by Kevin Siwoff, Axel Bonnot, and Lilian Robl.

Room to Bloom launches a new online platform featuring Nadja Verena Marcin, advancing the promotion of ecofeminist and postcolonial art practices.

The inaugural London edition of the Every Woman Biennial showcases Nadja Verena Marcin’s work at Copeland Gallery.

At the Ecofeminist Workshop in Athens, Nadja Verena Marcin presents “#SOPHYGRAY”, alongside talks by Penny Travlou, Eleni Riga, Joulia Strauss, and Marc Müller.

Nadja Verena Marcin joins the NFT edition of the Every Woman Biennial, showcasing digital artworks by 272 women at Superchief Gallery NFT.

At the Cabíria Festival – Mulheres e Audiovisual, Nadja Verena Marcin presents a masterclass on her creative process showcasing her acclaimed works and celebrating women creators in cinema.

The artwork “Jedi” is featured in the ecofeminist exhibition “Even the Rocks Reach Out to Kiss You” at Transpalette, Bourges.

Nadja Verena Marcin’s artwork “OPHELIA” is selected as a finalist for the 2020 Contemporary Talents competition by the Fondation François Schneider.

The exhibition “Down to Earth” at Gropius Bau, Berlin features Nadja Verena Marcin’s Deep Artist Talk on Aug 23, invited by Avtonomi Akadimia.

The artwork “Bride” is featured in the “Femme Fatale” exhibition at NADA FAIR 2020, exploring gender and power alongside artists like Carla Gannis and Karina Aguilera Skvirsky.

Nadja Verena Marcin presents an online solo show on UN/CUBE, an innovative platform fostering solidarity among womxn artists during the pandemic.

“OPHELIA” is featured in the group exhibition “Come on in, the water’s fine” during Art Basel Miami at the Surf Lodge Pop-Up in the W Hotel.

The solo exhibition OPHELIA at Stadtgalerie Saarbrücken presents Nadja Verena Marcin’s live performance and video installation, addressing themes of perception and environmental destruction.

The exhibition video of Nadja Verena Marcin’s solo show “OPHELIA” at Stadtgalerie Saarbrücken is now available on Vimeo.

Sandstein Verlag releases Nadja Verena Marcin’s monograph “OPHELIA”, offering a deep dive into her globally renowned media art project and its exploration of gender, politics, and the environment.

At her solo exhibition “The Great Dictator” at zqm in Berlin, Nadja Verena Marcin reimagines Chaplin’s iconic speech.

The Every Woman Biennial 2019 at La MaMa Galleria in New York City will showcase the work “OPHELIA” of Nadja Verena Marcin amidst a vibrant interdisciplinary celebration of female and non-binary artists.

Nadja Verena Marcin delivers a lecture at the “Queer-Feminist Ecocriticism in Live Art & Visual Cultures” conference, alongside Silvia Federici, João Florêncio, and other leading artists and theorists.

The group exhibition “Staring at the Sun” features Nadja Verena Marcin’s “OPHELIA” at The Art Pavilion, alongside works by Mary Maggic, Pinar Yoldas, Tabita Rezaire, and Zheng Bo.

Nadja Verena Marcin is featured in Kathy Battista’s “New York: New Wave,” highlighting a new generation of feminist artists alongside pioneers like VALIE EXPORT, Adrian Piper, and Francesca Woodman.

The exhibition “Looking for Dick” at SCHAU FENSTER in Berlin features Nadja Verena Marcin’s “Jedi”, a work exploring masculinity and identity.

“OPHELIA” is Nadja Verena Marcin’s first solo museum exhibition at SCHAUWERK Sindelfingen.

SWR’s “Kunscht” highlights the “OPHELIA” exhibition at SCHAUWERK Sindelfingen, as part of its international tour.

Nadja Verena Marcin receives a $25,000 NYSCA grant for her feature film “Pocahontas Returns”, exploring post-colonial and feminist themes.

ARTinWORDS interviews Nadja Verena Marcin on her global tour with “OPHELIA”, exploring feminist and ecological themes.

Nadja Verena Marcin presents her poster series “Cover Girls” at Art in Odd Places (AiOP) 2018: “BODY” in New York, exploring identity and representation through urban performance.

The solo exhibition “OPHELIA’S DOMAIN” at Nube Gallery in Santa Cruz, Bolivia, reimagines Ophelia through a three-channel video installation.

The video projection “OPHELIA” is featured at the Creative Climate Awards in New York City, alongside works by 36 international artists addressing climate change.

In this European premiere, Nadja Verena Marcin brings her internationally touring performance “OPHELIA” to Cologne, blending live action, literature, and ecological critique in a powerful solo exhibition.

In “OPHELIA | Die Verletzlichkeit der Welt,” Masha Schlubach explores Nadja Verena Marcin’s work through an in-depth interview.

WomenCinemakers features Nadja Verena Marcin’s “How to Undress in Front of Your Husband” alongside works by Rachel Beaudoin, Ivana Filip, and Katya Grokhovsky.

Nadja Verena Marcin discusses her NYFA-sponsored project “OPHELIA” in an interview with Priscilla Son, exploring themes of gender inequality and climate change.

Nadja Verena Marcin receives a grant from the City of Cologne to support her solo show and performance “OPHELIA” at Moltkerei Werkstatt e.V. during DC Open.

Charles Desmarais of San Francisco Chronicle highlights Nadja Verena Marcin’s performance “OPHELIA” – showcased at the Minnesota Street Project, accompanied by a panel discussion on power and oppression.