Eve

Eve

Photography – 2005
C-Print
Series of 3, 127 × 152 cm (50 × 60 in)

Eve is a photographic work that juxtaposes cultural archetypes with raw human presence. The piece presents a young, naked woman lying on the grass, her body stretched out and her gaze unwavering. The title, suggestive of the biblical Eve, invites viewers to confront their deeply ingrained cultural and symbolic associations. This evocative image challenges traditional narratives, refusing to conform to conventional depictions of innocence, temptation, or sin. Instead, it creates a space for ambiguity, breaking apart rigid patterns of representation and interpretation. The tension between the subject’s vulnerable pose and her assertive gaze draws the viewer into a profound contemplation of identity, power, and perception. As critic Bettina Haiss noted, “Surprised, we lose ourselves in Marcin’s translations, which open up rigid patterns of representation and interpretation and put us in a salutary speechlessness that moves us to shift our values, i.e., to rethink.”

EXHIBITIONS

S: Solo Exhibition | G: Group Exhibition | Sc: Screening

A Question of Intervals and Scales, SAP Space, Berlin, 2024 (G)
Dream Extension – Photographs from Germany, Gallery On, Seoul, 2013 (G)
Action Manual Vol I, Dortmunder Kunstverein, Dortmund, 2012 (G)
Art Wynwood, 532 Gallery Thomas Jaeckel, Miami, 2012 (G)


EXHIBITIONS

Spring Show, 532 Gallery Thomas Jaeckel, New York, 2012 (G)
The Solo ProjectNadja Verena Marcin, Jens Fehring Gallery, Basel, 2011 (S)
ART EDITION, Jinsun Gallery, Seoul, 2011 (G)
German Photography Now – Emotion, Drama and Narration, Jinsun Gallery, Seoul, 2011 (G)
Lost in Translation, Jens Fehring Gallery, Frankfurt, 2011 (G)
To Preview, 3. Emsdettener Kuratorenworkshop, Gallery Münsterland, Emsdetten, 2005 (S)

PRESS

Ilyn Wong, “Intersectional Fembots: An Interview with Nadja Verena Marcin”, Berlin Art Link, Berlin, 20 Feb, 2024.

CATALOGS

Jens Fehring Gallery, The-Solo-Project – Solo Shows by 50 Selected Galleries, Basel: The-Solo-Project, 2011. 78–81.


© 2024 Nadja Verena Marcin