
Sissi
Video/Sculpture – 2005
DV, 0:20 min, Loop
Sculpture:
Wooden Box
50 × 50 × 50 cm (20 × 20 × 20 in)
In the video Sissi we see Marcin sitting on a perch like a bird in front of a dark background that clings to her. By inviting the viewer to watch the scenery through a peep hole in a box that contains a monitor, the installation provokes claustrophobic feelings and critically references the idea of the woman as a decorative object.
Marcin’s body seems oddly isolated and the expression on her face arouses a feeling of loneliness. Unexpectedly, she opens her mouth and a short, melodic tweet becomes audible evoking a human voice. The video creates a tension between the woman as a decorative object and the unsettling singing that comes from the monitor-cage. The yellow dress becomes a feather dress. The woman’s quavering voice seems intriguing, appalling and surreal.
EXHIBITIONS
S: Solo Exhibition | G: Group Exhibition | Sc: Screening
A Question of Intervals and Scales, SAP Space, Berlin, 2024 (G)
I Know Why the Caged Bird Sings, Kunstenplatform WARP, Sint-Niklaas, 2022 (G)
Every Women Biennial, NFT Edition, New York, 2021 (G)
MONA Collection, Kunsthalle Faust, Hannover, 2009 (G)
European Attitude, Zendai MoMA, Shanghai, 2008 (G)
Asian European Mediations, Kunsthalle Faust, Hannover, 2007 (G)
EXHIBITIONS
Asian European Mediations, Museum of Modern Art, Poznań, 2007 (G)
Stufo, European Media Art Festival, Osnabrück, 2006 (G)
VIDEONALE.10, Kunstmuseum Bonn, Bonn, 2005 (G)
To Preview, 3. Emsdettener Kuratorenworkshop, Gallery Münsterland, Emsdetten, 2005 (S)
Rundgang, Kunstakademie Münster, Münster, 2005 (G)
VideoSalons, Gallery Sign, Groningen, 2005 (Sc)
Rundgang, Kunstakademie Münster, Münster, 2005 (G)
PRESS
Verena Voigt, “Nadja Verena Marcin: #SOPHYGRAY Kollektive Feministische Intelligenz (KFI) und ihre Alter Egos,” art-in-berlin, Berlin, Jun 30, 2024.
Fionn Adamian, “Project Space Festival Reveals Berlin’s Changing Art Landscape,” Berlin Art Link, Berlin, Jun 21, 2024.










