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The San Francisco Chronicle publishes an article by art critic Charles Desmarais titled “Ophelia Returns After 400 Years With a New Message,” highlighting Nadja Verena Marcin’s performance and solo exhibition OPHELIA. Presented at the Minnesota Street Project in San Francisco, the exhibition features Marcin diving into a saltwater tank while reciting Daniil Kharms’ The Werld through a breathing apparatus.
A panel discussion accompanies the event on March 22 at 6 PM, featuring Marcin, Dena Beard (executive director of The Lab), and Dorka Keehn (San Francisco arts commissioner and public art promoter), as they explore the work’s layered themes of power and oppression.