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Singing in the rain

4.12 min, HDV, Los Angeles, 2009

In the magical morning hour of downtown L.A., a female figure appears in the deserted city center wearing nothing but a nude costume of skin-colored tights, underwear and a handmade-bra with stuffed breasts. As she begins to reenact Gene Kelly’s famous dance of "Singing in the rain", his male movements find realization in her improvisational act. Lacking the significant rain of the original scene that serves as a catharsis and relief, the nude continuous her tap dance on a water fountain’s steps, finally jumps into a larger basin.

The ongoing movement with the autonomy of a child’s play or a closed practice is underlined by the strong presence of melancholy. Hiding the identity of the person, the character’s nudity reduces her to a clownish gender stereotype. Contradictorily, her clumsy and authentic movement reveals an imperfection that shows personality and Gestalt. Marcin’s ambiguous spectacle of "Singing in the rain" reverses the pretense to an uneasy amusement.

Singing in the rain

Video – 2008
HDV, 4.22 min

In the magical morning hour of downtown L.A., a female figure appears in the deserted city center wearing nothing but a nude costume of skin-colored tights, underwear and a handmade-bra with stuffed breasts. As she begins to reenact Gene Kelly’s famous dance of Singing in the Rain (1952), Kelly‘s male movements find realization in Marcin‘s improvisational act. Lacking the significant rain of the original scene that serves as a catharsis and relief, the nude continuous her tap dance on a water fountain’s steps, and finally jumps into a larger basin. The ongoing movement with the autonomy of a child’s play or a private practice is underlined by the strong presence of melancholy. Hiding the identity of the person, the character’s nudity reduces her to a clownish gender stereotype. Contradictorily, her clumsy and authentic movement reveals an imperfection that shows personality and Gestalt. Marcin’s ambiguous spectacle of Singing in the Rain reverses the pretense to an uneasy amusement.

singing-in-the-rain8

singing-in-the-rain5

singing-in-the-rain6

singing-in-the-rain7

Singing in the rain

4.12 min, HDV, Los Angeles, 2009

In the magical morning hour of downtown L.A., a female figure appears in the deserted city center wearing nothing but a nude costume of skin-colored tights, underwear and a handmade-bra with stuffed breasts. As she begins to reenact Gene Kelly’s famous dance of "Singing in the rain", his male movements find realization in her improvisational act. Lacking the significant rain of the original scene that serves as a catharsis and relief, the nude continuous her tap dance on a water fountain’s steps, finally jumps into a larger basin.

The ongoing movement with the autonomy of a child’s play or a closed practice is underlined by the strong presence of melancholy. Hiding the identity of the person, the character’s nudity reduces her to a clownish gender stereotype. Contradictorily, her clumsy and authentic movement reveals an imperfection that shows personality and Gestalt. Marcin’s ambiguous spectacle of "Singing in the rain" reverses the pretense to an uneasy amusement.